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sonata-op111-ii.ly
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sonata-op111-ii.ly
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%===========================================================================
% Piano Sonata Op.111 (L.Beethoven) - II
%===========================================================================
%
% (C) 2016-2017, Michiel Sikma <michiel@sikma.org>
% Licensed under CC BY-SA 4.0.
%
%---------------------------------------------------------------------------
\include "sonata-op111-headers.ily"
%---------------------------------------------------------------------------
% II. Arietta - Adagio molto semplice e cantabile
%---------------------------------------------------------------------------
% Main theme and variation 1.
two-section-one = {
\key c \major
\time 9/16
\partial 8.
\tempo "Adagio molto semplice e cantabile"
}
% Variation 2.
two-section-two = {
\key c \major
\time 6/16
\tempo "L'istesso tempo"
}
% Variation 3.
two-section-three = {
\key c \major
\time 12/32
\tempo "L'istesso tempo"
}
% Variation 4-7.
two-section-four = {
\key c \major
\time 9/16
}
% Variation 4, bar 35-49.
two-section-four-ef = {
\key ef \major
}
% Variation 5.
two-section-five = {
\key c \major
}
\bookpart {
\paper {
markup-system-spacing = \std-padding-page-n
bookTitleMarkup = \std-title-markup-page-n
}
\header {
subtitle = "Arietta"
copyright = ##f
tagline = \ms-tagline-en-cc-by-sa-four
}
\score {
\new PianoStaff \with {
\std-staff-spacing
} <<
\set PianoStaff.connectArpeggios = ##t
\new Staff = "right" \with {
\std-magnification
\stdDynSize
midiInstrument = "acoustic grand"
} {
\clef treble \relative c'' {
\two-section-one
\override DynamicTextSpanner.font-size = #0
%-----------------------------------------------------------------
% Main theme, part 1
%-----------------------------------------------------------------
<<
\new Voice {
\voiceOne
\repeat volta 2 {
\relative c'' {
\autoPageBreaksOff
c8(-5 \p g16)-3 |
g4. d'8( g,16)\finger \markup \tied-finger-up #"3" #"4" |
g4.-4 g8.-4 |
\noPageBreak
g8.-[(-2 e'-5 c])\finger \markup \tied-finger-up #"4" #"5" |
c8.-[-5 b-4 <b g>] |
c8.-[(-2 e g-5]) |
g8.-[( f\finger \markup \tied-finger-up #"4" #"5" d8\finger \markup \tied-finger-up #"4" #"5" c16])\finger \markup \tied-finger-up #"4" #"5" |
\break
b8.-[(-4 c\finger \markup \tied-finger-up #"5" #"4" d8 g,16])\finger \markup \tied-finger-up #"3" #"5" |
}
}
\alternative {
{
\relative c'' {
\set Timing.measureLength = #(ly:make-moment 6/16)
g4.
}
}
{
\relative c'' {
\set Timing.measureLength = #(ly:make-moment 9/16)
g4. e8.\finger \markup \tied-finger-up #"4" #"1"
}
}
}
}
\new Voice {
\voiceTwo
\relative c' {
e8. |
e8.-[( f8.^2 d8.]) |
d8.-[( e^2 f]) |
s8. e8.-[ g] |
e8.-[ d d] |
g4.\< g8. |
a4.\!\> a8-[
-\tweak X-offset #-0.75
-\tweak Y-offset #-6.1
_\finger \markup \tied-lyric #"1~2" <d, a'>16]\! |
<d g>8.-[ <c g'> <d g>8 d16]~\finger \markup \tied-lyric #"1~2" |
d8-[ d16^(^2\< <c e-3>8\!\> <b f'-4>16)\!] |
\once \override Slur.control-points = #'((1.3 . -1.4) (3.0 . 0.5) (6 . 0.85) (7.8 . -0.75))
d8-[^(\repeatTie <c e-4>16\< <b f'-5>8\!\> <c e-4>16)]\! s8. |
}
}
>>
%-----------------------------------------------------------------
% Main theme, part 2
%-----------------------------------------------------------------
<<
\new Voice {
\voiceOne
\repeat volta 2 {
\relative c'' {
\shortestNoteDuration 4
c4. \p c8( b16)-4 |
b4.\finger \markup \tied-finger-up #"4" #"3" b8(-2 e16) |
\noPageBreak
<b e>8.-[
\once \override Slur.height-limit = #3
<c e>_(-3-5 <b d>8-2-\finger \markup \tied-finger-up #"4" #"5" <a c>16-1-\finger \markup \tied-finger-up #"4" #"5"]) |
\once \override Slur.height-limit = #3
<a c>8.-[_(-3-5 <gs b>-2-4 <e a c>])-3-5
\once \override DynamicLineSpanner.staff-padding = #3 |
<g b d>4.-3-5 \cresc
<g b d>8.-2-4 |
<g c e>4.-3-\finger \markup \tied-finger-up #"5" #"4" <a c f>8.-2-3-\finger \markup \tied-finger-up #"5" #"4" |
\break
<g b d>8.-[-4 <g b d>] <b d>8-[(-\finger \markup \tied-finger-up #"4" #"3" <d g>16])
}
}
\alternative {
{
\relative c'' {
\shortestNoteDuration 16
\stemDown <b d g>8(\!\sf\> <g c e>16) <g c e>8.\! \p \stemUp e8. \stemNeutral
\shortestNoteDuration 4
}
}
{
\relative c'' {
<b d g>8(\sf\> <g c e>16) <g c e>8.\! \p
\once \override Slur.height-limit = #3
c8_(_\markup { \italic "dolce" } e,16
}
}
}
%-------------------------------------------------------------
% Variation 1, part 1
%-------------------------------------------------------------
\repeat volta 2 {
\relative c'' {
a8 e16 g8 f16 d'8 d,16 |
\noPageBreak
g8_\markup { \italic "sempre legato" } d16 f8 e16 g8 f16 |
\noBreak
a8 g16 e'8 e,16 c'8 e,16) |
\break
\once \override Slur.height-limit = #5
<ef c'>8( <d b'>16 <c a'>8 <b g'>16 <c a'>8 <d b'>16 |
\stemUp
c'8\< e,16 e'8 g,16 g'8 bf,16)\! |
\once \override Slur.height-limit = #3
g'8(\> a,16 f'8 a,16 d8 c16)\! |
\noPageBreak
\once \override Slur.height-limit = #3
c8-[( b16 c8 cs16] cs16 <d g,> g,) |
}
}
\alternative {
{
\relative c'' {
g4. c8( e,16)
}
}
{
\relative c'' {
% Note: move down the volta bracket, since there's just one
% slur pushing it up.
\once \override Score.VoltaBracket.extra-offset = #'(0 . -2.2)
g8.~g16\>-[( gs a\! b e, e]) |
\set Timing.measureLength = #(ly:make-moment 3/16)
\once \override PhrasingSlur.height-limit = #5
c'8^\( e,16
}
}
}
%-------------------------------------------------------------
% Variation 1, part 2
%-------------------------------------------------------------
\repeat volta 2 {
\set Timing.measureLength = #(ly:make-moment 6/16)
f,8\> e16\! c'8 <e, c>16
\override DynamicLineSpanner.staff-padding = #4.5 |
\set Timing.measureLength = #(ly:make-moment 9/16)
% Note: we've used the Schlesinger copy as leading here.
b'8-[\< \set stemLeftBeamCount = #2 \set stemRightBeamCount = #1 <b, e>16\!_(\> \set stemLeftBeamCount = #1 <c e>16 c' b]\)\! c\( <e, b'>\)) <e' b>( |
\override Tie.minimum-length = #3.25
f8 e16) e8( d16) d c c~ |
\noPageBreak
\override DynamicLineSpanner.staff-padding = #3
<c a>16 \cresc <b gs>
\once \override Tie.minimum-length = #2.75
\once \override Slur.height-limit = #4 <b gs>_~_( <b gs> <c e,>) \once \override Slur.height-limit = #4 <c e,>_~_( <c e,> <d b>) <d b>\!\p |
\mergeDifferentlyDottedOn
\revert DynamicLineSpanner.staff-padding
<d b>4. <ds b>8. |
e8. e8( g16) g8( f16) |
e8-[ d16 cs8 d16] d16 a' g |
}
\alternative {
{
\relative c'' {
g'16-[^( f e] f-[ e]) e,-[ f e e]_( |
\set Timing.measureLength = #(ly:make-moment 3/16)
c'8 <c, e>16)
\noPageBreak
}
}
{
\relative c'' {
\set Timing.measureLength = #(ly:make-moment 6/16)
\autoPageBreaksOn
\stemDown <g' d>16-[\sf\> <f b,> <e c>] <f c>-[ <e c> <e c>]\! |
\pageBreak
}
}
}
%-----------------------------------------------------------------
% Variation 2, part 1
%-----------------------------------------------------------------
\repeat volta 2 {
\relative c' {
\two-section-two
\set Timing.measureLength = #(ly:make-moment 2/16)
b'8\rest |
\set Timing.measureLength = #(ly:make-moment 6/16)
\stemUp
\implicitTuplets
\tuplet 3/2 { e16-[( \manoSinistra c32 b16 c32] }
\tuplet 3/2 { d16-[ b32 as16 b32]) }
b8\rest |
\change Staff = "left"
\once \override PhrasingSlur.eccentricity = #0.25
\tuplet 3/2 { f,16-[\( d32 cs16 d32] }
\change Staff = "right"
\tuplet 3/2 { g'16-[ e32 ds16 e32] }
\tuplet 3/2 { g16-[ e32 g16 f32] } |
\tuplet 3/2 { a16-[ fs32 a16 g32]\) } \stemDown
<g e'>8\noBeam <g c>8 |
\stemUp
\tuplet 3/2 { c16-[ b32 d16 c32] }
\tuplet 3/2 { c16-[ \sempreLegato as32 c!16 b32] } b8 |
c8\cresc \tuplet 3/2 { e16-[( d32 f16 e32] } g8)~ |
g16-[\! g~]\> \tuplet 3/2 { g16-[ e32 g16 f32] }
\tuplet 3/2 { e16-[ cs32 e16 d32]\! } |
\once \override Slur.height-limit = #3 c!16-[( b c cs
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { d16 s32 d16 g,32]) } |
}
}
\alternative {
{
\relative c'' {
\set Timing.measureLength = #(ly:make-moment 4/16)
g16-[ g]~ g-[ g] |
}
}
{
\relative c' {
\set Timing.measureLength = #(ly:make-moment 6/16)
g'16-[ g]~
\tuplet 3/2 { g16-[ gs32 a16 b32] }
\tuplet 3/2 { e,16-[ e32~e16 e32] }
}
}
}
%-----------------------------------------------------------------
% Variation 2, part 2
%-----------------------------------------------------------------
\repeat volta 2 {
\relative c'' {
\override Tie.minimum-length = #3.25
\set Timing.measureLength = #(ly:make-moment 6/16)
\tuplet 5/4 {
\once \override Slur.height-limit = #4 c16-[(-5 ~c16 b32
-\tweak Y-offset #3.6
^4]
}
\tuplet 5/4 { c16-[~c16 b32] }
\tuplet 5/4 { c16-[~c16 b32] } |
\tuplet 5/4 { b16-[~b16 c32] }
\tuplet 5/4 { b16-[~b16 c32] }
\tuplet 5/4 { b16-[~b16 e32]) } |
\omit Dots
\tuplet 3/2 { <b_~ e^~>16.-[ <b e>16 <c e>32] }
\tuplet 3/2 { <c_~ e^~>16.-[ <c e>16 <gs b d>32] }
\tuplet 3/2 { <e b' d>16-[_( <f a c>32 <fs a c>16 <b, g' b>32]) }
\undo \omit Dots |
\tuplet 3/2 { <b gs' b>16-[\cresc <b_~ gs'^~ b^~>32 <b gs' b>16 <b_~ gs'^~ b^~>32] }
\tuplet 3/2 { <b gs' b>16-[ <c_~ a'^~ c^~>32 <c a' c>16 <c_~ a'^~ c^~>32] }
\stemNeutral
\tuplet 3/2 { <c a' c>16-[ <d_~ b'^~ d^~>32 <d b' d>16 <d' b' d>32]\!\p } |
\tuplet 3/2 { <d b' d>16-[ d32^( cs16 d32)] }
\stemUp
d8~
\tuplet 3/2 { d16-[ cs32 f16 e32] } |
e8~ e16-[ e16]~
\tuplet 3/2 { e16-[ e32 g16 f32] } |
\tuplet 3/2 { d16-[ fs32 a16 g32]~ }
\tuplet 3/2 { g16-[ s32 a16 g32]~ }
\tuplet 3/2 { g16-[ s32 a16 g32] } |
\revert Tie.minimum-length
}
}
\alternative {
{
\relative c''' {
\override Tie.minimum-length = #3.25
\omit Dots
\tuplet 3/2 { g16.-[~g16 f32] }
\undo \omit Dots
e16 r16
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { r16 e,32-[~ e16 e32] }
\revert Tie.minimum-length
}
}
{
\relative c''' {
\set Timing.measureLength = #(ly:make-moment 4/16)
\override Tie.minimum-length = #3.25
\omit Dots
\tuplet 3/2 { g16.-[~\sf\> g16 f32] }
\tuplet 3/2 { e16-[\!\p g32~ g16 g32] }
\undo \omit Dots
\revert Tie.minimum-length
}
}
}
%-----------------------------------------------------------------
% Variation 3, part 1
%-----------------------------------------------------------------
\repeat volta 2 {
\relative c''' {
\two-section-three
\override Tie.minimum-length = #3
\set Timing.measureLength = #(ly:make-moment 4/32)
\stemNeutral
\tuplet 3/2 { \once \override Slur.height-limit = #4 c32-[^(\f g64 e32 c64] }
\tuplet 3/2 { g32-[ e64 c32 g64]) } |
\set Timing.measureLength = #(ly:make-moment 12/32)
\omit Dots
\tuplet 3/2 { <e'_~ g^~>32.-[ <e g>32 <e_~ g^~>64 <e_~ g^~>32. <e g>32 <e g>64] }
\tuplet 3/2 { <f_~ g^~>32.-[ <f g>32 <f_~ g^~>64 <f_~ g^~>32. <f g>32 <f g>64] }
\tuplet 3/2 { \once \override Slur.height-limit = #6 f''32-[^( d64 b32 g64 f32 d64 b32 g64]) } |
\tuplet 3/2 { <f_~ g^~>32.-[ <f g>32 <f_~ g^~>64 <f_~ g^~>32. <f g>32 <f g>64] }
\tuplet 3/2 { g32.~-[ g32 g64~ g32.~ g32 g64] }
\tuplet 3/2 { \once \override Slur.height-limit = #6 g''32-[( e64 c32 g64 e32 c64 g32 g'64]) } |
% todo clean up these ties a little
\tuplet 3/2 { <g,_~ bf_~ cs^~ g'^~>32.-[ <g bf cs g'>32 <g_~ bf_~ cs^~ g'^~>64 <g_~ b^~ d^~ g^~>32. <g b d g>32 <g b d g>64] }
\tuplet 3/2 { <g_~ b^~ g'^~>32.-[ <g b g'>32 <g_~ b^~ g'^~>64] }
\tuplet 3/2 { <g_~ c g'^~>32.-[ <g c g'>32 <g c g'>64] }
\tuplet 3/2 { <e'_~ g^~ e'^~>32.-[ <e g e'>32 <e_~ g^~ e'^~>64 <e_~ g^~ e'^~>32. <e g e'>32 <c e c'>64] } |
\tuplet 3/2 { \once \override Slur.height-limit = #6 c'32-[( a64 fs32 ef64 c32 a64 fs32 <ef c'>64)] }
\tuplet 3/2 { \once \override Slur.height-limit = #6 b''32-[( g64 d32 b64 g32 d64 b32) <af''_~ b^~ d,_~ b_~>64] }
% todo: clean up ties
\tuplet 3/2 { <af_~ b^~ d,_~ b_~>32.-[ <af b d, b>32 <af_~ b^~ d,_~ b_~>64 <af_~ b^~ d,_~ b_~>32 <af b d, b>32. <af b d, b>64] } |
\tuplet 3/2 { \once \override Slur.height-limit = #6 c32-[( g64 e!32\sf c64 g32 e64 e'32\sf c64)] }
\tuplet 3/2 { e32-[ c64 g'32\sf e64 c32 g64\sf e'32 c64] }
\tuplet 3/2 { g'32-[ e64 c'32\sf g64 e32 c64 g'32\sf e64] } |
\stemDown
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { r32 s64 g32-[\sf e64 cs32 e64 g32\sf e64] }
\tuplet 3/2 { f32-[ d64 f32\sf a,64 f'32 f,64 a32\sf f64] }
\tuplet 3/2 { a32-[ f64 f'32\sf d64 a32 a'64\sf f32 d64] } |
\tuplet 3/2 { c!32-[ b64 f'32 d64\sf b'32 f64 d32\sf b64] }
\tuplet 3/2 { d32-[ c64 af'32\sf f64 c'32 a64 f32\sf c64] }
\tuplet 3/2 { ef32-[ d64 d'32\sf d,64 d'32 d,64 d'32\sf <d, g>64] }
\undo \omit Dots
}
}
\alternative {
{
\relative c''' {
\stemUp
\set Timing.measureLength = #(ly:make-moment 8/32)
\omit Dots
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (12.5)))
\tuplet 3/2 { g32.~-[ g32 g64]~ }
\tuplet 3/2 { g32.~-[ g32 g64]~ }
\tuplet 3/2 { \once \override Slur.height-limit = #6 g32.~-[ g32 g64]( }
\tuplet 3/2 { f32-[ g64 a32 b64)] }
\undo \omit Dots
}
}
{
\relative c''' {
\stemUp
\set Timing.measureLength = #(ly:make-moment 12/32)
\omit Dots
\tuplet 3/2 { g32.~-[ g32 g64]~ }
\tuplet 3/2 { g32.~-[ g32 g64]~ }
\tuplet 3/2 { g32.~-[ g32 g64]~ }
\tuplet 3/2 { g32.~-[ g32 g64] }
\tuplet 3/2 { gs32-[ a64 b32 e,,64~] }
\tuplet 3/2 { e32~ e64~ e32 e64 }
\undo \omit Dots
}
}
}
%-----------------------------------------------------------------
% Variation 3, part 2
%-----------------------------------------------------------------
\repeat volta 2 {
\relative c' {
\omit Dots
\stemNeutral
\tuplet 3/2 { <e_~ c'^~>32.-[\f <e c'>32 <e_~ c'^~>64 <e_~ c'^~>32. <e c'>32 <e c'>64] }
\tuplet 3/2 { c''32-[\p gs64 a32 e64 d32 c64 e32 c64] }
\tuplet 3/2 { b32-[ a64 c32 a64 b32 a64 c32 <d, f b>64] } |
\tuplet 3/2 { <d_~ e^~ b'^~>32.-[ \f <d e b'>32 <d_~ e^~ b'^~>64 <d_~ e^~ b'^~>32. <d_~ e^~ b'^~>32 <d e b'>64] }
\tuplet 3/2 { \once \override Slur.height-limit = #6 c''32-[( \p b64 e32 b64 a32 gs64 b32 e,64] }
\tuplet 3/2 { b'32-[ e,64 f32 d64 c32 b64 e32 b64)] } |
\tuplet 3/2 { \once \override PhrasingSlur.height-limit = #6 c32-[\( b64 e32 b64 d32 c64 e32 c64 e32 d64 gs32 d64 f32 e64 a32 e64 a32 f64 a32 b,64 a'32 fs64 a32 c,64~] } |
\tuplet 3/2 { <c a'>32-[\f b64 a'32 gs64\) \once \override PhrasingSlur.height-limit = #4 <d_~ b'^~>16.]^\(\sf }
\tuplet 3/2 { <d b'>32-[ c64 b'32 a64\) \once \override PhrasingSlur.height-limit = #4 <e_~ c'^~>16.]^\(\sf }
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { <e c'>32-[ d64 c'32 b64\) <f_~ d'^~>32.\sf <f d'>32 <f d'>64] } |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13)))
\tuplet 3/2 { <f_~ g^~ b^~ d^~>32.-[ <f g b d>32 <f_~ g^~ b^~ d^~>64 <f_~ g^~ b^~ d^~>32. <f g b d>32 <f_~ g^~ b^~ d^~>64] }
\tuplet 3/2 { <f g b d>32-[ \once \override Slur.height-limit = #6 b64( f'32 d64 c32 b64 d32 b64] }
\tuplet 3/2 { g32-[ f64 a32 f64 e32 d64 f32 d64)] } |
\stemUp
\tuplet 3/2 { <g,_~ c_~ e^~>32.-[ <g c e>32 <g_~ c_~ e^~>64 <g_~ c_~ e^~>32. <g c e>32 <g_~ c_~ e^~>64] }
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { <g c e>32-[( <g b>64 <a c>32 <b d>64]) e16.~ e32-[( cs64 d32 e64 f16.~]) } |
\stemUp
\tuplet 3/2 { \once \override Slur.height-limit = #3 <f b,>32-[( <as, cs>64 <b d>32 <c e>64 d16.]~) }
\tuplet 3/2 { d32-[( cs64 d32 e64 d16.)]~ }
\tuplet 3/2 { d32-[( e64 f32 fs64 g16.~]) } |
}
}
\alternative {
{
\tuplet 3/2 { g32-[ a64 g32 a64 g32 <d f>64 e32 <d f>64] }
\tuplet 3/2 { e32-[ \once \override Slur.height-limit = #3 <g, d' f>64^( <g e'>32 d'64 c32 b64 c32 e64]) }
\tuplet 3/2 { \once \override Slur.height-limit = #3 e,32-[_( <c' e>64 e,32 <b' d>64 e,32 <a c>64 e32 <gs b>64)] }
}
{
\set Timing.measureLength = #(ly:make-moment 8/32)
\tuplet 3/2 { g'32-[\repeatTie a64 g32 a64 g32 <d f>64 e32 <d f>64] }
\tuplet 3/2 { e32-[ <c, f>64 <b e>32 <a d>64] }
\clef bass
\stemDown
\tuplet 3/2 { g32-[ a64 g32 f64] }
\bar "||"
}
}
%-----------------------------------------------------------------
% Variation 4
%-----------------------------------------------------------------
\two-section-four
\set Timing.measureLength = #(ly:make-moment 3/16)
<e c'>16 <e_~ g^~ c^~>16 <e g c> |
\set Timing.measureLength = #(ly:make-moment 9/16)
d16\rest <b_~ d_~ f^~ g^~> <b d f g>
d16\rest <b_~ d_~ f^~ g^~> <b d f g>
d16\rest <f_~ g_~ b^~ d^~> <f g b d> |
% todo fix all the other legato chords
d16\rest <d f^~ g^~>_( <c e g>)
d16\rest <c_~ e^~ g^~> <c e g>
\override Tie.minimum-length = #4
d16\rest <d_~ f^~ g^~> <d f g> |
d16\rest <ds fs g^~>_( <e g>)
d16\rest <e_~ g^~ e'^~> <e g e'>
d16\rest <ef_~ fs^~ a^~ c^~> <ef fs a c> |
d16\rest <d_~ f_~ af^~ c^~> <d f af c>
d16\rest <d_~ f_~ af^~ b^~> <d f af b>
d16\rest <d_~ f_~ g^~ b^~> <d f g b> |
d16\rest <ds fs c'^~>_( <e g c>)
d16\rest <g_~ b e^~>_( <g c e>)
d16\rest \stemUp \clef treble <bf'_~ df_~ e^~ g^~> <bf df e g> |
b'16\rest <bf,_~ df_~ e^~ g^~> <bf df e g>
b'16\rest \stemDown \clef bass <f,_~ c'^~ f^~> <f c' f>
d16\rest <f_~ af^~ d^~> <f af d> |
d16\rest <f_~ af^~ b^~> <f af b>
d16\rest <f e c'^~>_( <e g c>)
d16\rest <f g d'>_( <d f g>) \clef treble |
\explicitTuplets
\stemUp
\override TupletBracket.bracket-visibility = #'if-no-beam
\tuplet 3/2 { g32-[ a b }
\tuplet 3/2 { c d e }
\tuplet 3/2 { f g a] }
\override TupletBracket.transparent = ##t
\implicitTuplets
\stemNeutral
\tuplet 3/2 { b-[ c d }
\tuplet 3/2 { e f g }
\tuplet 3/2 { a g b] }
\tuplet 3/2 { c-[ \pp d c }
\tuplet 3/2 { b c b }
\tuplet 3/2 { c d c] } |
\tuplet 3/2 { g32-[ a g fs g fs g a g] fs-[ g fs g a g cs d cs] d-[ e d cs d cs d e d] } |
\tuplet 3/2 { cs32-[ d cs d e d g, a g] a-[ b a g a g b c b] c-[ d c d e d ds e ds] } |
\tuplet 3/2 { e32-[ a, g fs a g fs a g] fs-[ g gs a bf b c cs d] e-[ f e d e d c d c] } |
\tuplet 3/2 { b32-[ d c as c b c d e] b-[ c b as b as b c b] cs-[ e d e f e f g f] } |
\tuplet 3/2 { g,32-[ g' g, c! g' c, b g' b,] c-[ g' d ds g e f g fs] g-[ a fs g fs g cs, a' g] } |
\tuplet 3/2 { cs,32-[ a' g cs, f! e cs a' g] cs,-[ a' g d! g f a, e' d] af-[ e' d g, e' d g, d' c] } |
\tuplet 3/2 { g32-[ d' c f, c' b g d' c] g-[ d' c g d' cs a! e' d] a-[ e' d b e d cs d g,] } |
\override DynamicLineSpanner.staff-padding = #1.8
\tuplet 3/2 { a32-[ fs g a fs g a fs g] a-[ fs g a fs g a gs e'] b-[ a e' c b e] } b,16\rest \pp |
\revert DynamicLineSpanner.staff-padding
b16\rest \clef bass <a, b~>16_( <g b>)
d16\rest <a' b~>16_( <g b>)
d16\rest <a' b~>16_( <g b>) |
\override DynamicLineSpanner.staff-padding = #1.8
d16\rest \semprePp <a' b~>_( <gs b>)
\revert DynamicLineSpanner.staff-padding
d16\rest <a' b~>_( <gs b>)
d16\rest <a' b~ e~>_( <gs b e>) |
d16\rest <gs c~ e~>_( <a c e>)
d,16\rest <gs c~ e~>_( <a c e>)
d,16\rest <b' d>_( <a c>) |
d,16\rest <ds_~ fs_~ a^~ c^~> <ds fs a c>
d16\rest <d_~ f_~ gs^~ b^~> <d f gs b>
d16\rest <e_~ a^~ c^~> <e a c> |
d16\rest <f_~ c'_~ d^~> <f c' d>
d16\rest <c d^~>^( <b d>)
d16\rest <f_~ c'_~ d^~> <f c' d> |
d16\rest <g_~ d' e^~>_( <g c e>)
d16\rest <d e^~>_( <c e>)
d16\rest <af' b_~ d^~ f^~>_( <g b d f>) |
d16\rest <c d~>^( <b d>)
d16\rest <c d~ g~>_( <b d g>)
d16\rest \clef treble <c' d_~ g^~>^( <b d g>) \clef bass |
d,16\rest <b d g>_( <c e>)
d16\rest <c' e>_( e,)
d16\rest \clef treble <d'' e>^( <d, e>) |
\explicitTuplets
\override TupletBracket.bracket-visibility = #'if-no-beam
\override TupletBracket.transparent = ##f
\override TupletBracket.direction = #-1
<e c' e>16 \tuplet 3/2 { c''32-[ \ppLeggiermente d b } \tuplet 3/2 { c b a] }
\implicitTuplets
\override TupletBracket.bracket-visibility = #'if-no-beam
\tuplet 3/2 { gs32-[ a b a b c b c d] }
\tuplet 3/2 { c32-[ d b c c d c b a] } |
\tuplet 3/2 { b32-[ c d c b a gs a b] }
\tuplet 3/2 { gs32-[ a b a b c b c d] }
\tuplet 3/2 { b32-[ c d f e d c b e] } |
\override DynamicLineSpanner.staff-padding = #1.8
\tuplet 3/2 { a,32-[ gs e' \semprePp b a e' c b e] }
\revert DynamicLineSpanner.staff-padding
\tuplet 3/2 { d32-[ c e c b e d c e] }
\tuplet 3/2 { d32-[ c e c b d b a c] } |
\tuplet 3/2 { b32-[ a c b d c b a c] }
\tuplet 3/2 { a32-[ gs b a c b a gs b] }
\tuplet 3/2 { c32-[ d c b c b c d c] } |
\tuplet 3/2 { d32-[ e cs d b c as b a] }
\tuplet 3/2 { b32-[ a c b d c d cs ef] }
\tuplet 3/2 { d32-[ e d f d e ds f ds] } |
\tuplet 3/2 { e32-[ f ds e cs d b d c] }
\tuplet 3/2 { d32-[ e d e f e f ds e] }
\tuplet 3/2 { f32-[ g e f e f e g f] } |
\tuplet 3/2 { d!32-[ f d f d f d f d] }
\tuplet 3/2 { f32-[ d f d fs d fs d fs] }
\tuplet 3/2 { d32-[ fs d g d g d g d] } |
\tuplet 3/2 { g32-[ d g f! g d f d e] }
\tuplet 3/2 { g32-[ f e f e d f e c] }
\tuplet 3/2 { g'32-[ f e f e d f e c] } |
\tuplet 3/2 { f32-[ e d e d b d c b] }
\tuplet 3/2 { f'32-[ e d e d b d c b] }
\tuplet 3/2 { f'32-[ e d e d b d c b] } |
\tuplet 3/2 { g'32-[ f e f e d f e c] }
\undo \omit Dots
\relative c'' { b8.\rest }
\tuplet 3/2 { g32-[ f e f e d f e c] } |
\tuplet 3/2 { f32-[ e d e d b d c b] }
\tuplet 3/2 { f'32-[ e d e d b d c b] }
\tuplet 3/2 { f'32-[ e d e d b d c b] } |
\relative c'' { b8.\rest }
<c e>8.-[ <c_~ e^~>8.] |
<c e>8. <e c' e>8.-[ <e c' e>] |
<e c' e>8.-[ <e c' e> <d b' d>8] \clef bass
\explicitTuplets
\override TupletBracket.direction = #1
\tuplet 3/2 { g,,,,32-[ a b] }
\implicitTuplets |
\tuplet 3/2 { c32-[ e g] }
\relative c { d16\rest }
\clef treble
\tuplet 3/2 { c'32-[ e g] }
\omit Dots
\tuplet 3/2 { c32-[ e g e g c e16.~] }
\undo \omit Dots
\tuplet 3/2 { e32-[ b c d b c e b c] } |
\relative c'' { b16\rest }
\clef bass
\tuplet 3/2 { a,,,32-[ c e] }
\relative c { d16\rest }
\clef treble
% Note: hack to accommodate Beethoven's weird notation.
% This should actually be e32.~e32, but Beethoven uses
% a 64th. We've manually set the amount of beams to 4 for
% the last note.
\omit Dots
\tuplet 3/2 { a'32-[ c e c e a e64 a \set stemRightBeamCount = #4 c \set stemLeftBeamCount = #4 e32.^~] }
\undo \omit Dots
\tuplet 3/2 { e32-[ b c e, b' c e b c] } |
\relative c'' { b16\rest }
\tuplet 3/2 { e32-[ c e, e' cs e,] }
\relative c'' { b16\rest }
\tuplet 3/2 { f'32-[ d f, f' d f,] }
\tuplet 3/2 { e'32-[ cs e, f' d f, d' b d,] } |
% Ensure trills don't pass the bar line.
\override TrillSpanner.to-barline = ##t
\stemUp \grace cs32
% todo: shortest note duration, space this a little
\stemNeutral
\trillSpanDown
% Make some space for the flat # front of the next trill.
\once \override TrillSpanner.bound-details.right.padding = #2.8
% todo: perfectly align the dynamics
d4._~ \f
\startTrillSpan d8._~ |
d4._~ d8._~ \p |
d8.-\textDecresc "dimin."
\flatTrill
% Give a little bit of breathing space, since it goes to the bar line.
\once \override TrillSpanner.bound-details.right.padding = #1.0
d4._~ \stopTrillSpan
\startTrillSpan |
d4._~
d8._~ |
d4._~\!\pp d8._~ |
d4._~ d8. |
\once \override TrillSpanner.bound-details.right.padding = #1.0
d4._~\< \stopTrillSpan \startTrillSpan d8._~\! |
% Note: this trill ends before the final note, as per the manuscript.
d4._~\> d8._~\! |
\once \override TrillSpanner.to-barline = ##t
\override DynamicLineSpanner.staff-padding = #2
d8.-[ \stopTrillSpan \p \cresc a'8. \regularTrill bf8.]~ |
\revert DynamicLineSpanner.staff-padding
bf8.-[ b8. c8.^~] \bar "||" |
\two-section-four-ef
c8.-[ cs8. d8.]^~\!\sf\> |
d4.^~
\afterGrace d8. { \stemUp c32-[ d32]\! \stemNeutral } |
\once \override PhrasingSlur.height-limit = #8
ef8.-[^\( \p \cresc g bf~] |
bf8-[ a16] af16-[\!-\textDecresc "dimin." bf, <af bf,>]\) c,8-[ c16] |
\set beatStructure = #'(3 3 3)
\stemDown
<f, af>16^\markup { \italic "espressivo" } \!\p <f af>16 <f af>16 <f af>16 <f af>16 <f af>16 <f af>16 <f af>16 <f af>16 |
\break
\override DynamicLineSpanner.staff-padding = #4.55
g16 \p -\textDecresc "dimin." g g g g g <ef g> <ef g> <ef g> |
<f g>16 <f g> <f g> <f g>16 <f g> <f g> <f g>16 <f g> f |
ef16\!\pp ef ef ef ef ef <c ef> <c ef> <c ef> |
\revert DynamicLineSpanner.staff-padding
<df ef>16 <df ef> <df ef> <df ef>16 <df ef> <df ef> <df ef>16 <df ef> df |
df16 c c c <c d> c c b b |
bf!16 <bf df> bf bf a a s8. \clef bass |
af16 g g g g g g fs <fs a> |
<f af>16 <f g> f f e <g e> <gf e> <f e> e |
ef16 df <df f> <df ef> <df ef> df c \cresc c ef \clef treble |
c'16 c ef d d d
%-----------------------------------------------------------------
% Variation 5
%-----------------------------------------------------------------
\two-section-five <c e> <c e> <c e> |
e16 d e f e f d c <d f> |
d16 e d e f e f e f |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
c16 b c e d e g f e |
e ds e d d d <d g> <d g> <d g> |
% Todo make this spanner a bit more pretty
\once \override TextSpanner.to-barline = ##t
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
g\!\f fs g e g g d' cs d |
cs\sf\> b cs d cs d f, f fs |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
g16\! a g fs g fs f f f |
<d f> <c e> <b f'> <b f'> <c e> d d c b |
% todo: add padding for the cresc
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
<c e>\cresc e e e e e e e e |
e e e e e e e e <e b'> |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
<e b'> <e b'> <e b'> <e c'> <e c'> <e c'> b' gs a |
<e a>\!\sf\> <e a> <e a> <e gs> <e gs> <e gs> <e a>\!\p <e a> <e a> |
<g b>16\cresc <g b> <g b> <g b> <g b> <g b> <f b> <f b> <f b> |
<e bf'>16 <e bf'> <e bf'> <e bf'> <e bf'> <e bf'> <f a> <a c> <af c> |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (14.5)))
<g c>16 <g c> <g c> <g c> <g c> <g c> <g b> <g c> <g d'> |
d'16\!\sf\> b g e\!\p ds e b'\sf\> gs e |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (12.5)))
e16\!\p e e g'\sf\> e c c\!\p <cs g'> <d f> |
e16\sf\> cs a a\!\p a a
\override DynamicLineSpanner.staff-padding = #3.5
af\cresc af af |
%%
g16 g g g g g <g b> <g c> <g d'> |
g16 g g <g bf> <g bf> <g bf> a a <a c> |
<e g> <e g> <e g> <f g> <f g> <f g>
\tuplet 3/2 { b32\!\sf\> d b' b, d g c, g' c } |
\tuplet 3/2 { c,\!\p g' c b, g' b c, g' c }
\revert DynamicLineSpanner.staff-padding
\tuplet 3/2 { gs\sf\> b gs' gs, b e a, e' a }
\tuplet 3/2 { a,\!\p e' a b, e gs a, e' a } |
\tuplet 3/2 { e,\sf\> g e' e, g c f, c' f }
\tuplet 3/2 { f,\!\p c' f e, c' e f, c' f }
e16\sf\> cs a |
\override DynamicLineSpanner.staff-padding = #2.0
a16\!\p a a <a d>\cresc <a d> <a d> <af d> <af d> <af d> |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (9.5)))
\repeat unfold 9 { <g d> } |
\repeat unfold 9 { <c d> } |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (9.5)))
<c e> <g c e> <g c e> \repeat unfold 6 { <g b> } |
<g b>\!\f \repeat unfold 4 { <g b> } <g c> <g c> <g b> <g c> |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (9.5)))
\revert DynamicLineSpanner.staff-padding
g g g\sf g g g\sf <g bf> <g b> <g b>\sf |
\stemUp
\trillSpanUp
\once \override TrillSpanner.bound-details.right.padding = #1.5
d'8.\startTrillSpan \grace { cs32-[\stopTrillSpan d] fs16 } \stemDown
\once \override TrillSpanner.bound-details.right.padding = #1.5
g4.~\startTrillSpan\sf\> |
g4. \stemUp
\once \override TrillSpanner.bound-details.right.padding = #0
%-----------------------------------------------------------------
% Variation 6
%-----------------------------------------------------------------
g8.~\!\pp\stopTrillSpan \startTrillSpan |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (9.0)))
g4.~g8.~ |
g4.~g8.~ |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (10.0)))
g4.~g8.~ |
% Trill must span until just before the b.
g4. \grace { s64\stopTrillSpan }
\trillSpanDown
b,8.\startTrillSpan |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (9.0)))
c8.-[ e g] |
g-[ f d8 c16] |
b8.-[ c d8 \grace { s64\stopTrillSpan } \trillSpanUp g,16]\startTrillSpan |
g4.~g8. |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (13.5)))
g8.-[~g8 \grace { s64\stopTrillSpan } \trillSpanDown
\once \override TrillSpanner.bound-details.right.padding = #1.0
c16]^(\startTrillSpan cs16-[ d) g,] |
\trillSpanUp g4.\stopTrillSpan\startTrillSpan~g8. |
\stemNeutral
\tuplet 3/2 { g32\stopTrillSpan\pp a g fs g a b c a }
\tuplet 3/2 { b c b a b c d e c }
\tuplet 3/2 { d e d cs d e f! g e } |
\once \override Staff.OttavaBracket.shorten-pair = #'(0 . 0.2)
\ottava #1
\set Staff.ottavation = #"8"
\tuplet 3/2 { f g f e f e d e d }
\tuplet 3/2 { c d c b c b c d c }
\tuplet 3/2 { d e d e f g a g b } |
\overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
#'((alignment-distances . (12.5)))
\tuplet 3/2 { \override DynamicLineSpanner.staff-padding = #3.2 c\cresc b a g f e d c b }
\ottava #0
\tuplet 3/2 { c b a g f e d c b }
\tuplet 3/2 { c b a g f e d c b } |
% Note: space out the final notes a bit more.
\shortestNoteDuration 16
\once \override DynamicText.Y-offset = #-0.9
c8-[_(\!\f g16]) g8. f''8-[^(\sf b,16]) |
\shortestNoteDuration 64
f''8-[^(\sf\> b,16]) <d f, d>8-[^(\!\p
\override DynamicLineSpanner.staff-padding = #2.7
% todo move dim to the left
<c e, c>16)]-\textDecresc "dimin." <c e, c>8 \relative c'' { b16\rest } |
<c e, c>8\pp \relative c'' { b16\rest }
\change Staff = "left"
\stemUp
<e,,, g c>8
\change Staff = "right"
\relative c'' { b16\rest } \bar "|."
\shortestNoteDuration 16
}
\new Voice {
\voiceTwo
\relative c' {
e4. e8. |
e4. s8. |
s4. s8. |
s4. s8. |
s4. s8. |
s4. s8. |
s8. s8. g8 b16 |
s4. s8. |
s4. s8. |
s4. s8. |
s4. s8. |
s4. s8. |
s4. s8. |
s4. bf8 g16 |
a8 g16 a8 s16 a8 fs16 |
<f d>8. <f d>8.~<f d>16 <f d> <f d>
\override DynamicLineSpanner.staff-padding = #5.5 |
\shape #'((0.5 . -0.2) (0.8 . -0.1) (0.4 . 0) (0 . 0)) Slur
<d f>16^(\< e d\! c\> d b)\! s8 s16 |
\revert DynamicLineSpanner.staff-padding
<d f>16\<-[ e f\! e <d e> <c e>] <b e> <c e> d |
s8 c16 |
<b d>8. s8. |
s8
\stemUp
\override NoteColumn.ignore-collision = ##t
\single \hide Stem
e16^~^[
\single \hide Stem
e16]
\revert NoteColumn.ignore-collision
s8 s8 \stemDown
\single \hide Stem
b'16~ |
\override DynamicLineSpanner.staff-padding = #3
b16\< b\! c\> c8\! gs16 gs16 a a~ |
\revert DynamicLineSpanner.staff-padding
\single \hide Stem
a16 s8 s8. s8. \stemDown |
\once \override Slur.control-points = #'((2.1 . 0.3) (3.1 . 0.7) (8.5 . 1.2) (10.1 . -0.58))
b8-[^( \cresc f16 e8 f16]) b8-[ f16] |
bf8 e,16 <bf' g>8 <bf e>16 a8. |
<f b>8. <f b>8. <b d>8 d16 |
\override Tie.minimum-length = #2
d16\!\sf\> b c~c-[~c]\! s8 s8 |
s8. |
s16 s
\override NoteColumn.ignore-collision = ##t
\single \hide Stem c-[~ \single \hide Stem c~ \single \hide Stem c]
\revert NoteColumn.ignore-collision
s16 |
s8 |
\implicitTuplets
\tuplet 3/2 { g16-[ e32 d16 e32] }
\tuplet 3/2 { f16-[ d32 cs16 d32] } s8 |
s4 s8 |
s4 s8 |
\tuplet 3/2 { e16-[ d32 f16 e32] }
\tuplet 3/2 { e16-[ cs32 e16 d32] }
<d g>8 |
g8 e16-[ g] \tuplet 3/2 { d'16-[ cs32 e16 d32] } |
\tuplet 3/2 { cs16-[ b32 d16 cs32] } a16-[ a]~a-[ a] |
a16-[ d,16] \tuplet 3/2 { g16-[ e32 g16 f32~] }
\tuplet 3/2 { f16-[ d32 <f af>16 <d f>32] } |
\tuplet 3/2 { <d f>16-[ d32 b16 c32] }
\tuplet 3/2 { d16-[ c32 f16 e32] } |
\tuplet 3/2 { <d f>16-[ d32 <b f'>16 <c e>32] }
% todo maybe move this tie up a bit
\override Tie.minimum-length = #2.65
\tuplet 3/2 { e16-[ <d e>32~<c e>16 <b e>32~] }
\tuplet 3/2 { b16-[ <b d>32 <a c>16 <gs d'>32] } |
% todo fix the fingering positions
\tuplet 5/4 {
\once \override Slur.height-limit = #4 a16-[( ds32
-\tweak Y-offset #-7.24
_2 e16-1]~
}
\tuplet 5/4 { e16-[ ds32-2 e16-1]~ }
\tuplet 5/4 { e16-[ ds32 e16]~ } |
\tuplet 5/4 { e16-[ f32 e16]~ }
\tuplet 5/4 { e16-[ f32 e16]~ }
\tuplet 5/4 { e16-[ f32 e16]) } |
\override Tie.minimum-length = #3.25
s4 s8 |
s4 s8 |
s8
\stemDown
\tuplet 3/2 { d'16-[ b32 gs16 b32] }
g16 g16~ |
\tuplet 3/2 { g16-[ c32 b16 c32] }
\tuplet 3/2 { c16-[ bf32 a16 bf32]~ }
\tuplet 3/2 { bf16-[ s32 bf16 a32] } |
\omit Dots
\tuplet 3/2 { a16-[ c32 d16.]~ }
\undo \omit Dots
\tuplet 3/2 { d16-[ ds32 e16 s32] }
\tuplet 3/2 { e16-[ f32 <b, f'>16 <b d>32] } |
\tuplet 3/2 { <b d>16-[ b32 c16 d32] }
\tuplet 3/2 { g,16-[ b,32 c16 d32] }
\tuplet 3/2 { c16-[ b32 a16 <gs d'>32] } |
\tuplet 3/2 { <b' d>16-[ b32 c16 d32] }
\tuplet 3/2 { g,16-[ d'32 e16 f32] }
\revert Tie.minimum-length |
s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
\tuplet 3/2 { d32-[( e64 f32) \once \override Slur.height-limit = #4 <f d>64]( }
\tuplet 3/2 { b,32-[ c64 d32) \once \override Slur.height-limit = #5 c64]( }
\tuplet 3/2 { d32-[ e64 f32) e64] }
s16 |
\tuplet 3/2 { d32-[( e64 f32) \once \override Slur.height-limit = #4 <f d>64]( }
\tuplet 3/2 { b,32-[ c64 d32) \once \override Slur.height-limit = #5 c64]( }
\tuplet 3/2 { d32-[ e64 f32) \once \override Slur.height-limit = #4 e64]( }
\tuplet 3/2 { f32-[ d64 f32) e64] }
\once \override TupletBracket.transparent = ##t
% todo is this rest correctly placed? manuscript is ambiguous
\tuplet 3/2 { d32-[ c64 b32] e,,64\rest }
\tuplet 3/2 { b'32-[ c64 d32 c64] } |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s4 s8 |
s8.
\once \override TupletBracket.transparent = ##t
\omit Dots
\tuplet 3/2 { \once \override Slur.height-limit = #4 g'32-[( e64 f32 g64] a16.~) }
\tuplet 3/2 { \once \override Slur.height-limit = #4 a32-[( f64 g32 a64] } |
% Some hackery to properly integrate two voices.
\hideNotes
\stemUp
\once \override TupletBracket.transparent = ##t
\override NoteColumn.ignore-collision = ##t
\tuplet 3/2 { \single \hide Stem \single \hide Flag b32) \unHideNotes s64 s32 s64 \single \hide Flag \once \override Slur.height-limit = #4 b16.(\noBeam }
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 {
\stemDown g16.)~ g32-[ a64 b32 c64] b16.\noBeam r32
e64-[ d32 c64]
} |
\stemDown
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { d32-[ d64~ d32 d64]~ \stemUp \single \hide Flag d32 \noBeam s64 s32 s64 } s4
\revert NoteColumn.ignore-collision |
\stemDown
\tuplet 3/2 { d32-[ d64~ d32 d64]~ }
\tuplet 3/2 { d32-[ g,64~ g32 g64]~ }
\once \override TupletBracket.transparent = ##t
\tuplet 3/2 { g16. } \stemUp c,16 \stemNeutral