Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. It is common to pair it with italics based on those created by his contemporary Robert Granjon, who was well known for his proficiency in this genre. Sixty years after Garamond's death, the French printer Jean Jannon released a specimen of typefaces in the Garamond/Granjon style.
- Stempel Garamond (1920s)
- URW++ Garamond No. 8 - freeware version of Stempel Garamond, aka urw-garamond. Different from URW Garamond.
- Granjon (1920s) - British branch of Linotype
- Sabon (1964) - by Jan Tschichold. It is named after Jacques Sabon, a Frankfurt-based printer, who introduced the typefaces of Garamond and his contemporaries to German printing.
- Berthold Garamond (1972) - for phototypesetting. URW Garamond is a clone of Berthold Garamond.
- Adobe Garamond (1989) by Robert Slimbach
- Garamond Premier(2005) by Robert Slimbach
- EB Garamond (2011) - Egenolff-Berner-Garamond. "one of the best open source fonts" said Erik Spiekermann.
- Monotype Garamond (1922-23) - bundled with Microsoft Office.
- ATF Garamond/Garamond No. 3 (1923) by Morris Fuller Benton for American Type Founders
- Garamont (1923) - A revival by Frederic Goudy for the American branch of Monotype.
- Simoncini Garamond (1950s)
- Jannon (2010)
- ITC Garamond (1975) - It was also modified into Apple Garamond which served as Apple's corporate font from 1984 until replacement starting in 2002 with Myriad.
- Cormorant - An open-source adaptation of Garamond intended for display sizes, co-released with Google Fonts.
- Adobe Caslon (1990) by Carol Twombly.
- Big Caslon (1994) - by Matthew Carter is intended for use at 18pt and above. The standard weight is bundled with Apple's macOS.
- LTC Caslon (2005)
- King′s Caslon (2007) - created for King's College London and released by Dalton Maag.
- Williams Caslon Text (2010) by Font Bureau
- ITC Founder's Caslon (1998)
- NotCaslon (1995) by Emigre
- Franklin Caslon (2006) by P22
Bembo is an attractive, legible book typeface. Prominent users of Bembo have included Penguin Books, the Everyman's Library series, Oxford University Press, Cambridge University Press, the National Gallery, Yale University Press and Edward Tufte. Created by the British branch of the Monotype Corporation in 1928–1929. Its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of Manutius and Griffo. Bembo is named for Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo.
- Minion (2008) by Adobe
- Iowan Old Style - by Bitstream. Default font in the Apple Books application.
- Agmena (2014) by Linotype
- Cardo
- ET Book (2015) - open-source font commissioned by Edward Tufte. ETbb in LaTeX.
It was created in 1913 by the British Monotype Corporation for their hot metal typesetting system and is named after the sixteenth-century printer Christophe Plantin. It is loosely based on a Gros Cicero roman type cut in the 16th century by Robert Granjon held in the collection of the Plantin–Moretus Museum, Antwerp.
- Times/Times New Roman
- TEX Gyre Termes
- URW Nimbus Roman No9 L
- Linux Libertine
- TX Fonts
- New TX (based on TX Fonts)
- Stix
- Tinos
- XITS (based on STIX fonts)
- Romande ADF
Designed by Hermann Zapf, in 1949 for the Stempel foundry and later marketed by Mergenthaler Linotype Company (USA). Named after the 16th-century Italian master of calligraphy Giambattista Palatino.
- Palatino Linotype - Linotype licensed Palatino to Adobe, Apple and Microsoft.
- Palatino nova
- Palatino eText (2013)
- Palazzo Original by Softmaker
- Zapf Calligraphic by Bitstream
- Book Antiqua by Monotype
- URW Palladio L
- TeX Gyre Pagella
- Domitian
- KP Serif
- New PX
- PX Fonts
- QT Palatine
Janson is a crisp, relatively high-contrast serif design, most popular for body text. Named after Anton Janson (1620–1687), a Leipzig-based printer and punch-cutter from the Netherlands.
- Janson Text - by Hermann Zapf in the 1950s at Stempel.
- Kis Antiqua Now - by Elsner+Flake. Miklós (Nicholas) Kis, a Transylvanian Protestant pastor and schoolmaster, turned punchcutter may have left matrices (the moulds used to cast type) in Leipzig, leading to the attribution to Janson.
Based on a text face cut by Nicolas Jenson in Venice around 1470, and its italics are based on those created by Ludovico Vicentino degli Arrighi fifty years later. Often used in book design for body text.
- Adobe Jenson (1996)
- Golden Type (1890s) - William Morris
- Centaur (1930s) - Bruce Rogers
- Cloister Old Style (1915) - Morris Fuller Benton for American Type Founders (ATF).
- Hightower Text (1994) - Tobias Frere-Jones
Designed in the 1750s by John Baskerville (1706–1775) in Birmingham, England.
- Mrs Eaves (1996) - by Zuzana Licko, named after Baskerville's housekeeper-turned-wife. Not intended for extended body text, it is often used on book titles and headings.
- Big Moore by Matthew Carter
- Baskerville Old Face by Isaac Moore
- Helvetica
- Univers
- Folio
- Futura Condensed
- Futura Demibold
- Futura Display (Futura Schlagzeile)
- Futura Black (Stencil fat face)
- Steile Futura (steil in German means "upright" or "steep". Rounder letters than Futura Display.)
- Futura Inline
- Architype Renner (1993) by The Foundry
- Futura ND (1999) by Neufville Digital
- Futura Next (2016)
- Futura PT by ParaType
- Futura by URW++
- Futura Classic
- Formera (aka FuturaRenner)
- Futura Now by Monotype
- Avenir by Adrian Frutiger
- Spartan
- Twentieth Century by Monotype
- ITC Avant Garde Gothic
- Product Sans
- Century Gothic
- Tasse is a revival of Steile Futura.
Named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".
- Myriad (Adobe)
- Segoe UI (Microsoft)
- SST (Sony) by Akira Kobayashi in 2013, modeled after Frutiger and Helvetica.
Designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.
- Bliss
- Today Sans
- Rowton Sans
- Humanist 521 by Bitstream
- Syntax
- FF Scala Sans by Martin Majoor
- Mr Eaves (Mrs Eaves based on Baskerville)
- Dover Sans (Serif based on Caslon)